Do the Right Thing (Spike Lee) Film Analysis

colouration Evokes Emotion Spike lee(prenominal), the director of Do the Right Thing (1989), makes certain the hearing understands how the waken is change the characters on the day the lead takes place, and to do this he drills colour. To subtly express how heated, physically and metaphorically, the characters in the film atomic number 18, Lee uses warm color such as red and orangeness. Likewise, he rids the presence of warm colourise and uses cool colors such as blue and white in order to signal to the audience that things have cooled down and the atmosphere has a more loving vibe . From beginning to end Lee makes sure that the audience is aware of the temperature outside.The film uses the words hot and heat a countless add of times throughout the movie, but Lee as well uses visuals to engage a sense that is not chiefly used to identify with temperature . The color red is present in the clothes that the characters wear, the buildings the characters live in and are in front of, and it is the color of numerous props in the film. For instance, the hottest location in the film, the Pizzeria, had tabletop items, small decorations on the seats and walls, and even the color of the brick oven were a very vivid red that really stood out.The selfsame(prenominal) sharp usage goes for the color orange, but in addition street lights are an orange color, and there is a eye-straining orange tint to the entire film. Lee uses these warm colors to allow the audience connect with the characters, and befriends them impression the frustration the heat adds to the already riled up characters. The presence of these heated colors also help enhance the notion of heat, for this film, representing the tautness amongst the different races, and the minorities towards the whites. During the climax of the film the Pizzeria is set into flames, and its heavy orange glow is reflected on the faces of Sal and his sons.In the couple of scenes where tension is not so high, and people are not completely suffering from the heat, Lee removes the orange tint and warm colors and rather replaces them with cool tone colors such as blue and white. Specifically, in the scene where the two boys unscrew the fire hydrant and use its water to entertain and cool off the people of the neighborhood the audience will notice an absence of the orange tint and the presence of people wearing blue and white. This cooled down scene is then stop and upset by a white man driving a car that happens to be red.Lee also uses the cool toned colors to show love. When the main character, Mookie, and his babys mother, Tina, are having an intimate aftermath he has her remove the clothes she has on which happen to be warm colors. Similarly, when he goes to the freezer to receive an ice cube his son and Tinas mom are in there, both dressed in blue shirts. Taking away the warm colors and orange tint allows the audience to feel the same kind of sense of relief as the characters feel in theses scenes. Lees usage of color is to help the audience feel, on a deeper level, what the characters in the film are feeling.Whether it be from the actual heat of the sun or the heat produced by the tension in the neighborhood and with the man. The most tension and hate filled moment in the film is topped off with a fire importunate bright oranges and reds. Lee also made sure to allow the audience to experience more than retributory hate (or heat) by including scenes that did not have an orange tint or warm colors, but instead cool colors. Lee successfully appealed to the audiences feelings through the use of colors and made sure they could connect with the characters more personably.